Performance Theatre and the Poetics of Failure

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A01=Sara Jane Bailes
Author_Sara Jane Bailes
Bible Salesman
Bryan Saner
Cab Legs
Category=AKP
Category=ATD
Cathy Naden
contemporary cultural value
dance
Draw Back
elevator
Elevator Repair Service
entertainment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental theatre analysis
failure as creative strategy in theatre
forced
goat
Goat Island
Hugo Glendinning
island
Jakob Von Gunten
judson
Judson Dance Theater
live art methodologies
Matthew Goulish
Paul Anka
Played Back
postmodern dance studies
Recent Theatre Practice
rehearsal process critique
repair
Richard Lowdon
Room Tone
Scott Shepherd
September Roses
service
Singular Function
slapstick performance theory
theater
Tv Culture
Valie Export
Vice Versa
Wooster Group
Yellowed Newspaper Walls
Yorkshire Arts Space

Product details

  • ISBN 9780415585651
  • Weight: 434g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Aug 2010
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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What does it mean to "fail" in performance? How might staging failure reveal theatre’s potential to expand our understanding of social, political and everyday reality? What can we learn from performances that expose and then celebrate their ability to fail?

In Performance Theatre and the Poetics of Failure, Sara Jane Bailes begins with Samuel Beckett and considers failure in performance as a hopeful strategy. She examines the work of internationally acclaimed UK and US experimental theatre companies Forced Entertainment, Goat Island and Elevator Repair Service, addressing accepted narratives about artistic and cultural value in contemporary theatre-making. Her discussion draws on examples where misfire, the accidental and the intentionally amateur challenge our perception of skill and virtuosity in such diverse modes of performance as slapstick and punk.

Detailed rehearsal and performance analysis are used to engage theory and contextualise practice, extending the dialogue between theatre arts, live art and postmodern dance. The result is a critical account of performance theatre that offers essential reading for practitioners, scholars and students of Performance, Theatre and Dance Studies.

Sara Jane Bailes is a theatre-maker and Senior Lecturer in Performance Studies at the University of Sussex. She teaches experimental theatre and the conversation between art practice and ideology.

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