Performer Training and Technology

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A01=Maria Kapsali
Actor Training
Alterity Relation
Alterity Relationship
America Hurrah
American Avant Garde Theatre
attention in learning
Author_Maria Kapsali
Avant Garde Theatre
Body
Category=ATDC
cognitive embodiment theory
Countercultural
De Preester
Diderot's Text
Diderot’s Text
Digital
Digital Culture
digital performance studies
Embodiment Relationship
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
Gestalt Switch
Heidegger's thinking
Hermeneutic Relationship
Hyper Attention
Intermedial Performance
Introductory Workshops
Machine
Meyerhold's biomechanics
motion analysis techniques
Motion Capture
Performer Trainers
Performer Training
Performing Arts Industry
philosophy of technology
Posthuman
postphenomenology
psychophysical methods
Roberta Carreri
Salazar Sutil
Stanislavsky's Work
Stanislavsky’s Work
Technological Artefacts
technology in actor training research
Technology Spotting
Zarrilli's psychophysical training

Product details

  • ISBN 9781138677814
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Oct 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger’s thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice.

The book offers in-depth discussions of present and past performer training practices through a lens that has never been applied before; considers the employment of key digital artefacts; and develops a series of analytical tools that can be useful in scholarly and practical explorations. An array of intriguing subjects are covered including the role of electric lights in Stanislavsky’s work on concentration; the use of handheld tools, such as sticks in Zarrilli’s psychophysical training and Meyerhold’s Biomechanics; the emergence of new forms of training in relation to motion capture technology; and the way the mobile phone complicates notions and practices of attention in learning and training contexts.

This book is of vital relevance to performer training scholars and practitioners; theatre, performance, and dance scholars and students; and especially those interested in philosophies of technology.

Maria Kapsali is a Lecturer in Physical Performance in the School of Performance and Cultural Industries at the University of Leeds.

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