Performing American Identity in Anti-Mormon Melodrama

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A01=Megan Sanborn Jones
Act III
American cultural studies
anti-Mormon melodrama analysis
Author_Megan Sanborn Jones
Blood Atonement
brigham
Brigham Young
Category=DSBF
Category=DSG
Category=JBCC
Category=JBSR
Category=NHK
Category=NHTB
Category=QRAX
city
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnic representation
gender norms history
Great Awakening
Honorable Violence
lake
LDS Church
Melodramatic Mode
Mormon Church
Mormon Men
Mormon Polygamy
Mormon Wife
Mormon Women
mountain
Mountain Meadows Massacre
Native American Tribes
nineteenth century theater
Plural Marriage
Plural Wife
Poetic Justice
Polygamous Wife
religious stereotyping
salt
Salt Lake
Salt Lake City
Salt Lake Valley
Secret Brotherhoods
territory
Uncle Tom's Cabin
Uncle Tom’s Cabin
utah
valley
violence and morality
Wagon Train
Western Turks
women
young

Product details

  • ISBN 9780415849876
  • Weight: 317g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.

Megan Sanborn Jones is an assistant professor in the Theatre and Media Arts Department at Brigham Young University. Her research has been published in Theatre Journal, State of the Art, and The Journal of Mormon History. Her essay, "(Re)living the Pioneer Past" was the cover article of Theatre Topics (September 2006).

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