Performing Arts in Changing Societies

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Anne Margrete Fiskvik
Ariadne Auf Naxos
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Comical Pantomimes
Court Kapellmeister
cultural transfer studies
Dance
Dance Books
Dancing Masters
De La Foire
Dramatic Society
eighteenth-century German's opera
Enlightenment influence
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Equestrian Drama
Europe
European countries dance
European countries theatre
Fra Diavolo
genre development
genre theory
genre thinking
German Singspiel
Gotthold Ephraim Lessing
Grotesque Styles
Gustav Iii
historical performance practice
Itinerant Troupe
Karl XIII
Karl XIV Johan
King Gustav III
Le Devin Du Village
musicology
musicology research
National Library
nineteenth-century Christiania's social education
Nordic countries
Opera & Operetta
Opera Seria
pragmatic genre adaptation in Europe
Randi M. Selvik
Regional State Archives
Rope Dancing
Routledge Research in Music
Royal Theatres
Scandinavian theatre history
St Amand
Svein Gladso
Theatre & Performance Studies
Town Hall

Product details

  • ISBN 9781032236063
  • Weight: 353g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Performing Arts in Changing Societies is a detailed exploration of genre development within the fields of dance, theatre, and opera in selected European countries during the decades before and after 1800. An introductory chapter outlines the theoretical and ideological background of genre thinking in Europe, starting from antiquity. A further fourteen chapters cover the performing genres as they developed in England, France, Germany, and Austria, and follow the dissemination and adaptation of the corresponding genres in minor and major cities in the Nordic countries. With a strong emphasis on the role that pragmatic and contextual factors had in defining genres, the book examines such subjects as the dancing masters in Christiania (Oslo), circa 1800, the repertory and travels of an itinerant acrobat and his wife in Norway in the 1760s, and the influence of Enlightenment ideas on bourgeois drama in Denmark.

Including detailed analyses in the light of material, political, and social factors, this is a valuable resource for scholars and researchers in the fields of musicology, opera studies, and theatre and performance studies.

Randi Margrete Selvik is Emeritus Professor in Musicology, Department of Music, Norwegian University of Science and Technology (NTNU), Trondheim.

Svein Gladsø is Emeritus Professor in Theatre Studies, Department of Art and Media Studies, Norwegian University of Science and Technology (NTNU), Trondheim.

Anne Margrete Fiskvik is Professor, Programme for Dance Studies, Department of Musicology, Norwegian University of Science and Technology (NTNU), Trondheim.