Performing Arts in Contemporary China

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A01=Colin Mackerras
actor training China
Author_Colin Mackerras
Beijing Opera
Category=ATQ
Category=ATX
Category=DC
Category=DS
Category=GTM
Category=JB
CCP
Chinese art
Chinese Cinema
Chinese literature
Chinese opera adaptation
Chinese performance
Chinese songs
Chinese theatre
Cultural Revolution
Cultural Revolution impact
Deng Xiaoping
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
Hai Rui
Honghu Lake
Hua Guofeng
Jiang Qing
Lin Biao
Lu Xun
Mei Lanfang
National People's Congress
National People’s Congress
Performing Arts
performing arts policy
political theatre China
post-Mao performing arts transformation
propaganda in music
Shanghai Film Studio
Small Sword Society
Spoken Play
Traditional Operas
Traditional Performing Arts
Vice Versa
White Haired Girl
Young Man
Yue Fei
Zhang Zhixin
Zhou Enlai

Product details

  • ISBN 9780367771447
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Oct 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The overthrow of the ‘gang of four’ in 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be seen more clearly than in the performing arts. Jiang Qing, Mao Zedong’s widow, was strongly interested in the performing arts and exercised great influence over them. Professor Mackerras describes this influence and the effects its removal had on the arts in the years after Mao’s death, as well as in the years following the Cultural Revolution.

This book, first published in 1981, deals not only with opera, the spoken play, music and dance but also with cinema, describing how in all these cases the Chinese have adapted traditional art forms for political, social and propagandist purposes, both domestic and international. It charts the transformations that have taken place in all the multiple aspects of the performing arts and sets them against the development of Chinese society as a whole. It also looks at the role of the actor and performer in society, including their training, social status and livelihood.

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