Performing Beauty in Participatory Art and Culture

Regular price €210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Falk Heinrich
aesthetics
Algorithmic System
Apter's Reversal Theory
Apter’s Reversal Theory
art philosophy theories
Artifi Cial Life
audience agency in art
Author_Falk Heinrich
avant garde
Beautiful Experiences
beauty
Berlyne's Theory
Berlyne’s Theory
Category=ABA
Category=AFKP
Category=AGA
Category=ATD
Category=JBCC
Category=JBCT
Category=QDTN
Computer Games
design
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Falk Heinrich
Hume
Interaction System
interactive
interactive aesthetics
Interactive Art
Interactive Artwork
Internalized Spectator
Kant
Kinaesthetic Aspect
media art
media installation theory
Mere Doings
Metamotivational State
Paratelic State
participatory art
participatory art beauty analysis
Participatory Art Piece
Participatory Artefact
Participatory Artwork
Participatory Culture
performance
Performative Beauty
performative experience
Performative Ontology
Round Room
Sense Make
technology
technology in contemporary art
Topological Space
Vice Versa

Product details

  • ISBN 9780415745291
  • Weight: 480g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book investigates the notion of beauty in participatory art, an interdisciplinary form that necessitates the audience’s agential participation and that is often seen in interactive art and technology-driven media installations.

After considering established theories of beauty, for example, Plato, Alison, Hume, Kant, Gadamer and Santayana through to McMahon and Sartwell, Heinrich argues that the experience of beauty in participatory art demands a revised notion of beauty; a conception that accounts for the performative and ludic turn within various art forms and which is, in a broader sense, a notion of beauty suited to a participatory and technology-saturated culture.

Through case studies of participatory art, he provides an art-theoretical approach to the concept of performative beauty; an approach that is then applied to the wider context of media and design artefacts.

Falk Heinrich is an associate professor and head of studies (School of Communication, Art, and Technology) at Aalborg University, Denmark and has worked as an actor, theatre director, and installation artist.

More from this author