Performing Citizenship in Postdictatorship Chile

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A01=Jennifer Joan Thompson
Agonism
Anachronism
Andres Perez
art action
Art Actions
Artistic Agency
Arturo Prat Chacon
Augusto Pinochet
Author_Jennifer Joan Thompson
CADA
Category=ATJ
Category=ATY
Category=JBCC
Category=JBFA
Category=JPVC
Category=JPW
Category=NHK
Censorship
Chile
Chilean dictatorship
Citizenship
Colectivo Acciones de Arte
Consensus
Constitution of 2022
Constitutional Convention
Convivencia
counterculture
Countercultures
Cultural Policy
Democracy
Dictatorship
Dramaturgy
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eq_nobargain
eq_non-fiction
eq_society-politics
Estallido
Feminism
Fiestas Spandex
forthcoming
Guillermo Calderon
History
KIMVN
La Negra Ester
LASTESIS
Manuela Infante
Mapuche
Memory
Michelle Bachelet
new dramaturgy
Paradox
Performance
performance studies
Pinochet
Political Futures
political theater
Possibility
post-dictatorship
Post-Politics
Prat
QueerCuir
Santiago a Mil
Scandal
Solidarity
student protests
Teatro de Chile
Theater
Transition

Product details

  • ISBN 9780810148499
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2026
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Offering a nuanced understanding of the performing arts' relationship to politics

Through careful readings of key political performances in Chile's transition from military dictatorship to neoliberal democracy, Jennifer Joan Thompson examines how the production and aesthetics of theater are intertwined in processes of democratization, enactments of citizenship, and the development of cultural policy. Performing Citizenship in Postdictatorship Chile: Cultural Policy and the Making of Political Dramaturgies reveals how artists performed changing models of democratic citizenship. Thompson traces the ways artists confronted and resisted the military dictatorship of Augusto Pinochet, how they then reimagined the body politic during the early transitional period and challenged official constructions of history and memory as the transition to democracy progressed, how they critiqued Chile's neoliberal economic model and its violence, and, finally, how they have made claims for feminist and Indigenous citizen subjectivities throughout Chile's current social crisis. Incorporating archival and ethnographic research alongside readings of theatrical and political performances, this study offers a nuanced understanding of the performing arts' relationship to politics, one that accounts for the ways artists and the state collaborate in the production of the political imagination.

Jennifer Joan Thompson is an assistant professor of theater studies at Southern Methodist University.

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