Performing Commedia dell'Arte, 1570-1630

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A01=Natalie Crohn Schmitt
Accademia Fiorentina
Accademia Nazionale Dei Lincei
acting styles
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Age Group_Uncategorized
all'improvisso
all’improvisso
Arlecchino
Author_Natalie Crohn Schmitt
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Biblioteca Corsiniana
Category1=Non-Fiction
Category=AN
Category=ATD
Character Masks
Commedia Dell Arte
commedia dell'arte
Commedia Erudita
Common Language
COP=United Kingdom
De Jorio
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dialects
Du Soleil
early modern Italian drama
El Teatro
El Teatro Campesino
eq_art-fashion-photography
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eq_nobargain
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European theatrical traditions
Fabritio Caroso
Flaminio Scala
gesture and voice techniques
Guarini's Il Pastor Fido
Guarini’s Il Pastor Fido
historical performance studies
Il Pastor Fido
Il Proteo
improvisation
improvisation in early modern theatre
improvisational theatre methods
Intangible Cultural Heritage
La Mirtilla
La Nave
Language_English
Latin Grammar Schools
mask performance analysis
Mime Troupe
modern theatre
PA=Available
Price_€50 to €100
Prop List
PS=Active
public theatre
Renaissance Drama
Rhetorica Ad Herennium
Scala Scenarios
softlaunch
speech
theatrical form
Young Men

Product details

  • ISBN 9780367085650
  • Weight: 340g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Performing Commedia dell’Arte, 1570-1630 explores the performance techniques employed in commedia dell’arte and the ways in which they served to rapidly spread the ideas that were to form the basis of modern theatre throughout Europe. This book is winner of Ennio Flaiano Award in Italianistica, 2020.

Chapters include one on why, what, and how actors improvised, one on acting styles, including dialects, voice and gesture; and one on masks and their uses and importance. These chapters on historical performance are followed by a coda on commedia dell’arte today. Together they offer readers a look at both past and present iterations of these performances.

Suitable for both scholars and performers, Performing Commedia dell’Arte, 1570-1630 bears on essential questions about the techniques of performance and their utility for this important theatrical form.

Natalie Crohn Schmitt is Professor Emerita of Theatre and English at the University of Illinois, Chicago, USA. Her wide-ranging scholarship includes Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios (2014) and essays on commedia dell’arte in New Theatre Quarterly, Viator, Renaissance Drama, and Text and Performance Quarterly. She is the recipient of two National Endowment for the Humanities fellowships and of Humanities Center fellowships at Stanford University and at the University of Illinois.

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