Performing Enlightenment

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Guiyuanjing
Jiupin liantai
Tanhuaji
A01=Mengxiao Wang
antitheatricality
Author_Mengxiao Wang
Category=ATD
Category=DD
Category=DSG
Category=QRF
Category=QRRL
cult of the book
deliverance play
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
forthcoming
god of play
Guanyin
Hangzhou
Jiangnan
meditation
Mulian opera
philosophy
print culture
puppet
ritual
Shaolin Temple
Tu Long
Vinaya
Zhuhong

Product details

  • ISBN 9780674303423
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Jun 2026
  • Publisher: Harvard University, Asia Center
  • Publication City/Country: US
  • Product Form: Hardback
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In early modern China, a major revival of Buddhism coincided with a surging fascination with theater. Buddhist monastics and laypeople increasingly participated in viewing, discussing, and writing plays. Far from merely serving as a medium for conveying religious teachings and practices, drama became a source of deep concern for Buddhists due to the perceived tension between spiritual discipline and worldly entertainment.

In Performing Enlightenment, Mengxiao Wang examines how Buddhist clerics and laity engaged with and drove innovations in theater during the late Ming and early Qing dynasties. Drawing on an extensive range of sources—including clerical sermons, scriptural commentaries, temple gazetteers, morality books, literati prose, and dramatic texts and paratexts—Wang argues that Ming-Qing Buddhists resolved the conflict between religion and entertainment by transforming theater into a creative mode of devotional practice. Consequently, playwriting, stage performance, and theatergoing all emerged as legitimate pathways to spiritual enlightenment. This interdisciplinary work provides fresh insights into Chinese studies, Buddhist studies, and theater studies while offering a comparative perspective on the complex interplay between religion, literature, and performance across cultures.

Mengxiao Wang is Assistant Professor of Chinese Literature at the University of Southern California.

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