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Performing in Comedy

Ian Wilkie
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A01=Ian Wilkie
acting theory analysis
advanced comic acting methods
Author_Ian Wilkie
Basil Fawlty
Brecht
Category=AFKP
Category=AT
Category=ATD
Category=ATDC
Category=ATX
Category=ATXD
Comic Buttons
comic performance techniques
comic timing mastery
Draws Back
DVD Extra
Ensemble
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Eric Barker
Facial Contortion
Farce
Fourth Window
group improvisation skills
Ho Ho
Improv
Kristen Wiig
LADY WISHFORT
Laugh Lines
Ning Nang Nong
Oliver Double
Party Game
performance studies research
Playing Back
practitioner advice comedy
Richard III
RSC Production
Shakespeare
Sir Andrew Aguecheek
Sir Toby Belch
Sitcom
Stanislavsky
Student Performer
Tea Pot
Timing
Tv Comedy
Tv Sitcom
Vice Versa
Young Man

Product details

  • ISBN 9781138913875
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

Ian Wilkie contends that comic acting is a distinct art form, and as such demands a unique skillset. By exploring the ways in which performance choices and improvised moments can work in conjunction with texts themselves, Performing in Comedy offers an indispensable practical tool for enhancing comic performance.

This volume is a must-read for any actors, directors or students who work with comic texts. Wilkie synthesises theories and principles of comedy with practical tips, and re-evaluates the ways in which these ideas can be used by the performer.

Most importantly, these skills – timing, focus, awareness – are teachable rather than being innate talents. Exercises, interviews and guides to further resources enhance this comprehensive exploration of comic acting.
About Ian Wilkie
Ian Wilkie is a tutor in post compulsory education at the Institute of Education, London, and a visiting lecturer at the Guildhall School of Music and Drama. He is an editor for the Comedy Studies journal .

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