Performing Power

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18th-century culture
A01=Maria Berlova
Adolf Fredrik
Alexander Roslin
Author_Maria Berlova
Category=AFKP
Category=ATD
Category=CB
Category=JBCC
Category=JBCT
Category=JP
Category=JPWC
Category=NH
Category=NHTB
Christian VII
Court Ballets
court culture studies
Court Pageants
Court Stage
Court Theater
Crown Prince Gustav
Drottningholm Palace
eighteenth-century performance
Enlightened Monarch
Enlightenment political theory
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Frederick II
Gustav III
Gustav III's drama
Gustav III's politics
Gustav Vasa
Joseph II
Karl XI
King Gustav III
King's Departure
King’s Departure
Lovisa Ulrika
Napoleon III
Nikolai Evreinov
Performative Communication
Petit Trianon
political theatre in Sweden
Queen Lovisa Ulrika
Royal Encounter
royal image construction
Swedish monarchy history
theatre and governance
Von Essen

Product details

  • ISBN 9780367565572
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Performing Power explores 18th-century fabrication of the royal image by focusing on the example of King Gustav III (1746–1792) – one of Sweden’s most acclaimed and controversial monarchs – who conspicuously chose theater as the primary media for his image-making and role construction.

The text postulates that Gustav III was motivated by theater’s ability to aid him in fulfilling Enlightenment’s tenet of broadly educating the populace and inculcating it with royal ideology. That he was an amateur actor, stage director, and playwright were other engines driving his choice. The project challenges and expands the commonly accepted perception of Gustav III’s contribution to Swedish theater, which has generally been limited to founding its National Opera, developing its national drama, and forming its national dramatic repertoire. Maria Berlova presents Gustav III as a performing King who strategically used political events as a framework through which he could embody the image of the ideal or enlightened monarch as presented by Voltaire.

Through this, Performing Power explores the tight relationship and complex bond between theatrical arts and politics. This unique study will be of great interest to students and scholars in theater studies, 18th-century culture, and politics.

Maria Berlova holds two PhDs from GITIS and Stockholm University. She works as Senior Research Fellow at the State Institute of Art Studies (SIAS, Moscow). In 2018, Berlova published her book Theater of the King: Gustav III and the Formation of the Swedish National Stage in Russian.

Michael Kroetch holds a BA degree in Literature from the University of Oregon. His fiction has appeared in literary journals. His theater plays have been performed throughout the Pacific Northwest, Off-Broadway in New York City, and in Berlin, Germany. He received a fellowship from the NEA.

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