Performing Presence

Regular price €97.99
Quantity:
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Gabriella Giannachi
A01=Nick Kaye
Author_Gabriella Giannachi
Author_Nick Kaye
case studies
Category=AFKP
computer science
contemporary performance
discourses art
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
locative arts
mixed reality environments
multi-media theatre
new media
Performance
video installation

Product details

  • ISBN 9780719080043
  • Dimensions: 138 x 216mm
  • Publication Date: 01 May 2011
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Performing presence: Between the live and the simulated proposes that the advent of new media forms, and the increasing integration of contemporary performance and media, has generated new engagements, practices and understandings of presence.

Addressing new media art and performance, multi-media theatre, video installation, mixed reality environments and locative arts, the book presents case studies of work by Lynn Hershman Leeson, Paul Sermon, Gary Hill, Tony Oursler, The Builders Association and Blast Theory, as well as analyses of a series of related experiments created for CAVE, an immersive virtual reality environment. Performing presence combines extensive analysis, and extracts from interviews with the artists, as well as the documentation of elements of work and working processes, in order to provide specific insight into these engagements with contemporary practices and concepts presence.

This book will be of interest to students, researchers and practitioners of theatre and performance, contemporary art, media, new media and technology.

Gabriella Giannachi is Professor of Performance and New Media and Director of the Centre for Intermedia at the University of Exeter. Nick Kaye is Dean of the College of Humanities and Professor of Performance Studies at the University of Exeter.

More from this author