Performing Religion on the Secular Stage

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A01=Sharon Aronson-Lehavi
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Apocalypsis Cum Figuris
Author_Sharon Aronson-Lehavi
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avant-garde performance studies
Bible Project
Biblical Theater
Cameri Theater
Category1=Non-Fiction
Category=AFKP
Category=AN
Category=ATD
Category=DS
Category=HRAB
Category=JBCC
Category=JFC
Category=JHM
Category=JP
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Contemporary Theater Performances
COP=United Kingdom
Crucifixion Scenes
cultural hybridity in performance
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Ethical Responsivity
Iesus Nazarenus Rex Iudaeorum
INRI
Jean Claude Van Itallie
Language_English
Late Medieval
Late Medieval Theater
medieval religious drama
Miraclis Pleyinge
modern religious theatre analysis
Nativity Play
Oberammergau Passion Play
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performance
Performative Models
Performative Time
Price_€20 to €50
PS=Forthcoming
Quem Quaeritis
religious performativity
Religious Subject Matter
Religious Symbolic Systems
Religious Theater
scriptural dramaturgy
secularism in theatre
Social Victim
softlaunch
Summer Game
Theatre
Visitatio Sepulchri
York Play

Product details

  • ISBN 9781032225487
  • Weight: 270g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book examines the relations between Western religion, secularism, and modern theater and performance.

Sharon Aronson-Lehavi posits that the ongoing cultural power of religious texts, icons, and ideas on the one hand and the artistic freedom enabled by secularism and avant-garde experimentalism on the other, has led theatre artists throughout the twentieth century to create a uniquely modern theatrical hybrid–theater performances that simultaneously re-inscribe and grapple with religion and religious performativity. The book compares this phenomenon with medieval forms of religious theater and offers deep and original analyses of significant contemporary works ranging from plays and performances by August Strindberg, Hugo Ball (Dada), Jerzy Grotowski, and Hanoch Levin, to those created by Adrienne Kennedy, Rina Yerushalmi, Deb Margolin, Milo Rau, and Sarah Ruhl.

The book analyzes a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.

Sharon Aronson-Lehavi is a faculty member and former Chair of the Department of Theatre Arts at Tel Aviv University, Israel.

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