Performing Religion on the Secular Stage

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A01=Sharon Aronson-Lehavi
Apocalypsis Cum Figuris
Author_Sharon Aronson-Lehavi
avant-garde performance studies
Bible Project
Biblical Theater
Cameri Theater
Category=AFKP
Category=ATD
Category=DS
Category=JBCC
Category=JHM
Category=JP
Category=QRAB
Contemporary Theater Performances
Crucifixion Scenes
cultural hybridity in performance
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethical Responsivity
Iesus Nazarenus Rex Iudaeorum
INRI
Jean Claude Van Itallie
Late Medieval
Late Medieval Theater
medieval religious drama
Miraclis Pleyinge
modern religious theatre analysis
Nativity Play
Oberammergau Passion Play
performance
Performative Models
Performative Time
Quem Quaeritis
religious performativity
Religious Subject Matter
Religious Symbolic Systems
Religious Theater
scriptural dramaturgy
secularism in theatre
Social Victim
Summer Game
Theatre
Visitatio Sepulchri
York Play

Product details

  • ISBN 9780367487522
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jun 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the relations between Western religion, secularism, and modern theater and performance.

Sharon Aronson-Lehavi posits that the ongoing cultural power of religious texts, icons, and ideas on the one hand and the artistic freedom enabled by secularism and avant-garde experimentalism on the other, has led theatre artists throughout the twentieth century to create a uniquely modern theatrical hybrid–theater performances that simultaneously re-inscribe and grapple with religion and religious performativity. The book compares this phenomenon with medieval forms of religious theater and offers deep and original analyses of significant contemporary works ranging from plays and performances by August Strindberg, Hugo Ball (Dada), Jerzy Grotowski, and Hanoch Levin, to those created by Adrienne Kennedy, Rina Yerushalmi, Deb Margolin, Milo Rau, and Sarah Ruhl.

The book analyzes a new and original historiography of a uniquely modern theatrical phenomenon, a study that is of high importance considering the reemergence of religion in contemporary culture and politics.

Sharon Aronson-Lehavi is a faculty member and former Chair of the Department of Theatre Arts at Tel Aviv University, Israel.

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