Performing Social Change on the Island of Ireland

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A01=Ciara L. Murphy
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Armagh Gaol
Author_Ciara L. Murphy
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Crumlin Road Gaol
Dark Tourism
Dublin Theatre Festival
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Feminism
feminist performance analysis
Foley Street
Good Friday Agreement
Iona Institute
Ireland
Ireland's National Theatre
Ireland's Theatre
Irish Mainstream
Irish Theatre
Irish theatre studies
Irish Women's Movement
Limerick City
marginalised narratives in Irish drama
neoliberal cultural critique
Pandemic
participatory performance methods
Performance
performance activism
Political Tourism
post-conflict society research
post-Good Friday Agreement
Priory Hall
Project Arts Centre
Republican Women Prisoners
Social change
Theatre
Troubles Tourism
Wedding Play
West Belfast
Young Man

Product details

  • ISBN 9781032076492
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 22 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the relationship between moments of significant social change on the island of Ireland and performance practice during the twentieth and twenty-first centuries. It examines how moments of significant change influence not only the content of performance practice but also the form and function of theatre production and reception.

This book investigates how the Troubles and subsequent Peace Process, Second-Wave Feminism, the Celtic Tiger and neoliberalism, social revolution, and the COVID-19 pandemic impacts the form and function of performance practice across the island of Ireland. Although these forms of theatre and performance making refer to varied and distinct lineages of practice internationally, there are key parallels that compel a study of their inter-relationality in a specific Irish context.

This book explores how the performance of Ireland illuminates histories and stories that are on the margins, illuminating the lived realities of everyday life through the presentation of moments of violence, oppression, and trauma as something that is as important as the larger narratives often ascribed to nationhood. This book asks how performance practice engages with and informs moments of major social change on the island of Ireland through the distinct yet intersecting lenses of place, performance form, and social context over the course of almost a century of Irish theatre and performance practice.

Ciara L. Murphy is an Assistant Lecturer of Drama and Theatre at Dundalk Institute of Technology, Ireland.

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