Performing the Cold War in the Postcolonial World

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African theatre institutions
Black Orpheus
Brecht's Work
Brecht’s Work
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Category=NHD
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CIA Fund
Cold War cultural exchange analysis
Cultural Cold War
cultural diplomacy
Cultural Diplomacy Programme
Dailes Theatre
decolonization
decolonization studies
East German Theatre
Eastern European Theatre
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
GDR
GDR Theatre
Global South
India 1956a
Indian Circus
ITI
La Guma
La Noire De
Latvian SSR
Nation Building
national theatre
postcolonial cultural networks
postcolonial studies
propaganda in publishing
Soviet Books
Soviet Circus
Soviet influence Asia
Tropical Architecture
UN
USIS
Vice Versa
West Germany

Product details

  • ISBN 9781032051581
  • Weight: 620g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Jul 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume explores how the Cultural Cold War played out in Africa and Asia in the context of decolonization. Both the United States and the Soviet Union as well as East European states undertook significant efforts to influence cultural life in the newly independent, postcolonial world.

The different forms of influence are the subject of this book. The contributions are grouped around four topic headings. "Networks and Institutions" looks at the various ways Western-style theatre became institutionalized in the decolonial world, especially Africa. "Cultural Diplomacy" focuses on the activities of the Soviet Union in India in the late 1950s and 1960s in the very different arenas of book publishing and the circus. "Artists and Agency" explores how West African filmmakers (Ousmane Sembène and Abderrahmane Sissako) and European authors (Brecht and Ibsen) were harnessed for different kinds of Cold War strategies. Finally, "Cultures of Things" investigates how everyday objects such as books and iconic theatre buildings became suffused with affect, nostalgia, and ideology.

This book will be of interest for students of the Cold War, postcolonial studies, theatre, film, and literature.

Chapters 1, 4, 8, and 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Funded by the European Research Council Project "Developing Theatre".

Christopher B. Balme is professor of Theatre Studies and a director of the Käte Hamburger Research Centre global:disconnect at LMU Munich, Munich, Germany.