Performing the Politics of Translation in Modern Japan

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A01=Aragorn Quinn
Act III
Ancient Rome
Author_Aragorn Quinn
Avant Garde Theater
Category=ATD
Category=JB
Category=NH
Category=NHF
Early Meiji Period
embodied memory studies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eric Selbin
Formal Performance Settings
Holy Theater
Itagaki Taisuke
Japanese communist revolution
Japanese nation
Japanese theatre history
Kobayashi Takiji
Kubo Sakae
Liberty Party
Meiji Japan
Meiji Period
Meiji Restoration
Meiji Restoration aftermath
Mid Meiji Period
modern Japan
Modern Japanese Nation
Modern Japanese Theater
Modern Rome
Murayama Tomoyoshi
performance
performance translation resistance Japan
political dramaturgy
Political Music
post-Restoration movement
post-World War II International Order
proletarian movement Japan
Proletarian Theater
Proletarian Theater Movement
Restoration Plays
Rights Movement
rights movement performance
theatre
Trunk Theater
Tsubouchi Memorial Theater Museum
Yoshikawa Eiji
Young Men

Product details

  • ISBN 9780367192402
  • Weight: 490g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Performing the Politics of Translation in Modern Japan sheds new light on the adoption of concepts that motivated political theatres of resistance for nearly a century and even now underpin the collective understanding of the Japanese nation.

Grounded in the aftermath of the Meiji Restoration in 1868 and analyzing its legacy on stage, this book tells the story of the crucial role that performance and specifically embodied memory played in the changing understanding of the imported Western concepts of "liberty" (jiyū) and "revolution" (kakumei). Tracing the role of the post-Restoration movement itself as an important touchstone for later performances, it examines two key moments of political crisis. The first of these is the Proletarian Theatre Movement of the 1920s and '30s, in which the post-Restoration years were important for theorizing the Japanese communist revolution. The second is in the postwar years when Rights Movement theatre and thought again featured as a vehicle for understanding the present through the past. As such, this book presents the translation of "liberty" and "revolution", not through a one-to-one correspondence model, but rather as a many-to-many relationship. In doing so, it presents a century of evolution in the dramaturgy of resistance in Japan.

This book will be useful to students and scholars of Japanese history, society and culture, as well as literature and translation studies alike.

Aragorn Quinn is assistant professor of Japanese at the University of Wisconsin-Milwaukee, USA.

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