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Permanent Red
A01=John Berger
art
Author_John Berger
Category=AGA
criticism
cubism
Delacroix
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
figurative
Goya
Hepworth
Klee
Matisse
Moore
Mulvey
Picasso
politics
realism
Renoir
socialism
Product details
- ISBN 9781804298473
- Weight: 183g
- Dimensions: 129 x 198mm
- Publication Date: 25 Mar 2025
- Publisher: Verso Books
- Publication City/Country: GB
- Product Form: Paperback
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In Permanent Red, John Berger argues that the contemporary artist should strive for a realism that aims for hope, to transform the world. Surveying the work of historical artists as well as that of near contemporaries such as Picasso, Léger and Matisse, he explores the role of the artist, dividing these figures into those that struggle, those that fail, and the true masters. He explains why we should study the work of the past: in order to understand the present and to rethink the future.
First published in 1960, Permanent Red established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.
First published in 1960, Permanent Red established John Berger as a firebrand critic willing to broadcast controversial opinions on some of the most important British artists of the day, including Henry Moore and Barbara Hepworth.
Storyteller, novelist, essayist, screenwriter, dramatist and critic, John Berger (1926-2017) was one of the most internationally influential writers of the last fifty years. His many books include Ways of Seeing; the fiction trilogy Into Their Labours; Here Is Where We Meet; the Booker Prize-winning novel G; Hold Everything Dear; the Man Booker-longlisted From A to X; and A Seventh Man.
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