Perspectives on Contemporary Music Theory

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Beethoven's Eroica Symphony
Blind Boy
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Chopin
Chopin's Prelude
Chopin’s Prelude
Chromaticism
chromaticism studies
Common Language
Contemporary Music Theory
Contemporary musicology
Decentering Music
deconstruction
Die Kunst Der Fuge
Diminished Seventh Chord
disability in music
disability studies
E-flat Major
E-flat Minor
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Fugal Entries
Gogh
interdisciplinary music theory research
Invertible Counterpoint
Kant's Practical Philosophy
Kant’s Practical Philosophy
Kevin Korsyn
Lyonel Feininger
music analysis
Music Theory
musical hermeneutics
Musicology
Perfect Authentic Cadence
Platen's Poem
Platen’s Poem
poststructuralist theory
Repeated Note Figure
Rounded Binary
Schenkerian analysis
Schubert's Setting
Semiotic Square
Vice Versa
Vincent Van Gogh
Voi Che Sapete

Product details

  • ISBN 9781032413723
  • Weight: 830g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Jul 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Kevin Korsyn is a renowned music theorist, musicologist, and pedagogue who has taught at the University of Michigan since 1992. He has published widely and influentially in areas as diverse as Beethoven and Brahms studies, chromatic tonality, disciplinarity and metatheory, history of theory, musical meaning and hermeneutics, poststructuralism (deconstruction, intertextuality, etc.), and Schenkerian theory and analysis. Because of the scope and caliber of his published work, and also his legacy as a pedagogue, Korsyn has had a profound impact on the field of music theory, along with the related fields of historical musicology and aesthetics.

This book, a festschrift for Korsyn, comprises essays that constellate around his numerous scholarly foci. Represented in the volume are not only familiar music-theoretical topics such as chromaticism, form, Schenker, and text-music relations, but also various interdisciplinary topics such as deconstruction, disability studies, German Idealism, posthumanism, and psychoanalysis. The book thus reflects the increasingly multifaceted intellectual landscape of contemporary music theory.

Bryan Parkhurst is Associate Professor of Music Theory and Philosophy at Oberlin College and Conservatory, U.S.A.

Jeffrey Swinkin is Associate Professor of Music (Theory) at The University of Oklahoma, U.S.A.