Perspectives on Crazy Ex-Girlfriend

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2010s popular culture
Adam Schlesinger
Aline Brosh McKenna
anxiety
auteurism
binge watch
bisexuality
body image
broadcast television
Category=ATJ
Category=JBSF
Crazy Ex-Girlfriend
critical analysis
cult television
depression
episodes
episodic television
eq_art-fashion-photography
eq_bestseller
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eq_nobargain
eq_non-fiction
eq_society-politics
family
fandom
gender and sexuality
golden age of television
hunger
identity
Jack Dolgen
Judaism
Los Angeles
love triangles
madness
mental health
metatextuality
modernism
motherhood
musical
musical comedy
musical theater
network television
parenting
postcomplex television
postnetwork television
pregnancy
queer theory
Rachel Bloom
romantic comedy
romcom
Showtime
streaming television
television and popular culture
The CW
trauma
TV shows
women's and gender studies
women's sexuality

Product details

  • ISBN 9780815637042
  • Weight: 333g
  • Dimensions: 152 x 228mm
  • Publication Date: 22 Sep 2021
  • Publisher: Syracuse University Press
  • Publication City/Country: US
  • Product Form: Hardback
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With an off-putting title and a decidedly retrograde premise, the CW dramedy Crazy Ex-Girlfriend is a surprising choice for critical analysis. But, loyal viewers quickly came to appreciate the show's sharp cultural critique through masterful parody, and this strategy has made it a critical darling and earned it several awards throughout its run. In ways not often seen on traditional network television, the show transcends conventional genre boundaries-the Hollywood musical, the romantic comedy, the music video-while resisting stereotypes associated with contemporary life.

The essays in this collection underscore the show's ability to distinguish itself within the current television market. Focusing on themes of feminism, gender identity, and mental health, contributors explore the ways in which the show challenged viewer expectations, as well as the role television critics play in identifying a show's "authenticity" or quality.
Amanda Konkle is assistant professor of film studies and English at Georgia Southern University's Armstrong campus in Savannah, Georgia. She is the author of Some Kind of Mirror: Creating Marilyn Monroe.

Charles Burnetts teaches film in the Department of Philosophy and Religious Studies at Kings University College at the University of Western Ontario. He is the author of Improving Passions: Sentimental Aesthetics and American Film.