Perturbatory Narration in Film

Regular price €114.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Sabine Schlickers
B01=Vera Toro
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=DS
Category=DSB
Category=JBCT
Category=JFD
COP=Germany
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Language_English
PA=Available
Perturbatory narration
Price_€50 to €100
PS=Active
SN=Narratologia
softlaunch

Product details

  • ISBN 9783110560824
  • Weight: 521g
  • Dimensions: 155 x 230mm
  • Publication Date: 07 Nov 2017
  • Publisher: De Gruyter
  • Publication City/Country: DE
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns

Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ‒ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Sabine Schlickers and Vera Toro, Universität Bremen, Germany.