Pervasive Animation

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AFI Film Readers
Animated Documentary
animation
Animation Aesthetics
Animation Cels
animation philosophy and historiography
Animation Practices
Animation Studies
animation: an interdisciplinary journal
Astro Boy
Bill Brand
cartoons
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Category=AFKP
Category=ATD
Category=ATFA
Category=ATFV
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Category=JBCT
Category=NH
Category=UG
digital media studies
Documentary Games
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eq_computing
eq_history
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Experimental Animation
Generatio Aequivoca
Griffi N
Griffi N
interdisciplinary film research
materiality in art
moving image theory
Museum Tinguely
Optical Toys
Pervasive Animation
philosophical aesthetics
Piper
Piper's Son
Piper’s Son
Quay Brothers
Suzanne Buchan
the Animation Research Centre
Thunder Storms
Vice Versa
visual culture analysis
Visual Effects Industries
Vitalist Machines
White Cube
William Kentridge
Young Men
Za Nn

Product details

  • ISBN 9780415807234
  • Weight: 910g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Jul 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This new addition to the AFI Film Readers series brings together original scholarship on animation in contemporary moving image culture, from classic experimental and independent shorts to digital animation and installation. The collection - that is also a philosophy of animation - foregrounds new critical perspectives on animation, connects them to historical and contemporary philosophical and theoretical contexts and production practice, and expands the existing canon. Throughout, contributors offer an interdisciplinary roadmap of new directions in film and animation studies, discussing animation in relationship to aesthetics, ideology, philosophy, historiography, visualization, genealogies, spectatorship, representation, technologies, and material culture.

Suzanne Buchan is Professor of Animation Aesthetics at Middlesex University, London. Her research investigates animation as a pervasive moving image form across a range of platforms and media. She teaches history, theory and aesthetics of cinema, digital screen arts, and animation, and she is active as a curator. Suzanne is editor of animation: an interdisciplinary journal. Her publications include The Quay Brothers: Into a Metaphysical Playroom (2011), Animated ‘Worlds’ (ed., 2006), journal and catalog essays, and chapters in scholarly collections.