Perversion and Modern Japan

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collective memory analysis
cowboy
Dense
Dim
Double Scission
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eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnography
futabatei
Futabatei Shimei
Heterosexual Male Desire
Holding
Human Suffering
Japanese Psychoanalysis
Japanese psychoanalytic theory
kii
Kii Peninsula
Late Meiji
Late Meiji Period
lonesome
Lonesome Cowboy
Love Hotels
Mishima Yukio
modernisation critique Japan
national
national identity discourse
National Polity
neurasthenia historical context
Nihon Shoki
Nina Cornyetz
peninsula
polity
Polymorphous Perversion
Postwar
psychoanalytic readings of Japanese literature
Quilting Point
Roman Poruno
salvage
shimei
Sun And Steel
Superimposed
unconscious fantasy studies
Wo
Young Men

Product details

  • ISBN 9780415469104
  • Weight: 660g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Dec 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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How did nerves and neuroses take the place of ghosts and spirits in Meiji Japan? How does Natsume Soseki’s canonical novel Kokoro pervert the Freudian teleology of sexual development? What do we make of Jacques Lacan’s infamous claim that because of the nature of their language the Japanese people were unanalyzable? And how are we to understand the re-awakening of collective memory occasioned by the sudden appearance of a Japanese Imperial soldier stumbling out of the jungle in Guam in 1972?

In addressing these and other questions, the essays collected here theorize the relation of unconscious fantasy and perversion to discourses of nation, identity, and history in Japan. Against a tradition that claims that Freud’s method, as a Western discourse, makes a bad ‘fit’with Japan, this volume argues that psychoanalytic reading offers valuable insights into the ways in which ‘Japan’ itself continues to function as a psychic object.

By reading a variety of cultural productions as symptomatic elaborations of unconscious and symbolic processes rather than as indexes to cultural truths, the authors combat the truisms of modernization theory and the seductive pull of culturalism. This volume also offers a much needed psychoanalytic alternative to the area studies convention that reads narratives of all sorts as "windows" offering insights into a fetishized Japanese culture. As such, it will be of huge interest to students and scholars of Japanese literature, history, culture, and psychoanalysis more generally.

Nina Cornyetz is Associate Professor of Interdisciplinary Studies at New York University, USA.

J. Keith Vincent is Assistant Professor of Japanese and Comparative Literature at Boston University, USA.