Petrarch and Boccaccio in the First Commentaries on Dante’s Commedia

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A01=Luca Fiorentini
Accademia Dei Lincei
Accademia Nazionale Dei Lincei
allegorical interpretation
Author_Luca Fiorentini
Benvenuto Da Imola
Boccaccio
Boccaccio's Novella
Boccaccio’s Novella
Bucolicum Carmen
canon
Category=DSBB
Category=DSC
Commedia
commentators
Common Language
Dante
Dante's Commedia
Dante's Poem
Dante's Vernacular
Dante’s Commedia
Dante’s Poem
Dante’s Vernacular
De Vita Solitaria
De Vulgari Eloquentia
Dei Lincei
early Italian canon formation
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fourteenth-century commentary
Genealogie Deorum Gentilium
historical literature
Invective Contra Medicum
Italian literature
Italian Middle Ages
literary canon
literary hermeneutics
Manuele Gragnolati
medieval Italian philology
medieval poetry
Petrarch
Petrarchian devaluation
poetic exegesis
Pole Star
Rerum Vulgarium Fragmenta
Tre Corone
vernacular textual analysis

Product details

  • ISBN 9780367497606
  • Weight: 220g
  • Dimensions: 138 x 216mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This text proposes a reinterpretation of the history behind the canon of the Tre Corone (Three Crowns), which consists of the three great Italian authors of the 14th century – Dante, Petrarch, and Boccaccio.

Examining the first commentaries on Dante’s Commedia, the book argues that the elaboration of the canon of the Tre Corone does not date back to the 15th century but instead to the last quarter of the 14th century. The investigation moves from Guglielmo Maramauro’s commentary – circa 1373, and the first exegetical text in which we can find explicit quotations from Petrarch and Boccaccio – to the major commentators of the second half of the 14th century: Benvenuto da Imola, Francesco da Buti and the Anonimo Fiorentino. The work focuses on the conceptual and poetic continuity between Dante, Petrarch, and Boccaccio as identified by the first interpreters of the Commedia, demonstrating that contemporary readers and intellectuals immediately recognized a strong affinity between these three authors based on criteria not merely linguistic or rhetorical.

The findings and conclusions of this work are of great interest to scholars of Dante, as well as those studying medieval poetry and Italian literature.

Luca Fiorentini is Research Assistant at the University of Rome ‘La Sapienza’, Italy.

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