Phantom Byzantium

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A01=Anthony Kaldellis
Author_Anthony Kaldellis
Category=NH
Category=NHC
Category=NHD
catholic
christian
church
civilization
conquest
constantinople
culture
despot
east
eastern
emperor
empire
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
fundamental
greek
identity
imagination
imperialism
istnabul
nation
nationalism
orientalism
orthodox
revision
revisionist
roman
self-fashioning
tradition
turkey
western

Product details

  • ISBN 9780226847139
  • Weight: 481g
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Apr 2026
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
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How the West appropriated aspects of the eastern Roman empire while portraying it as inferior.
 
Unveiling the ideological foundations of Byzantine studies, Phantom Byzantium is a pioneering survey of western European perceptions of the eastern Roman empire (also known as Byzantium) spanning late antiquity to World War II. Through ten chronological chapters, Anthony Kaldellis makes the case that western Europe gradually formed its identity by adopting prestigious cultural elements from the eastern empire but simultaneously portraying the east as inferior. The West modeled its Roman imperial style on Constantinople while minimizing the latter as Greek rather than Roman; appropriated a host of Christian traditions from the east while casting the east as schismatic, heretical, or treacherous; and, during the Renaissance, used classical Hellenic philology from Greek scholars before marginalizing them as unworthy bearers of that tradition. This orientalizing impulse worked to buttress western exceptionalism and resulted in the fictitious construction of “Byzantium” as Europe’s evil doppelgänger, embodying the worst versions of traditions fundamental to European identity and casting the region as despotic, superstitious, and degenerate.

Explaining the creation, history, and functions of the ideological construct of Byzantium in the western imagination and European self-fashioning, this book has critical implications for contemporary views of European history.

 
Anthony Kaldellis is professor of classics at the University of Chicago. He is the author of many books, including, most recently, The New Roman Empire: A History of Byzantium, and he is the host of the podcast Byzantium & Friends.
 

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