Phenomenology of Autobiography

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A01=Arnaud Schmitt
aesthetic
Attentional Energy
Author_Arnaud Schmitt
Autobiographical Mode
Autobiographical Pact
autobiography studies
Autofiction
Camera Lucida
Category=DNB
Category=DS
Category=DSBH
Children's Building Blocks
Children’s Building Blocks
Cognitive Poetics
cognitive sciences
creative writing
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evaluation of autobiographical texts
experience of reading
Fiction Dichotomy
Fictional Minds
genre modality studies
hybrid memoirs
illness narratives
Kahneman's Systems
Kahneman’s Systems
Le Plaisir Du Texte
life writing
life writing studies
life writing theory
Lisa Zunshine
literary genre
literary self-representation
Lyrical Essay
media
memoir
Memoir Boom
Memory Development
narrative referentiality
Narrativity Thesis
narratology
neuroscience
non-fiction narrative analysis
panfictionalism
Prestigious Authors
reader response criticism
readers
Referential Effort
Referential Writing
Rockwell Gray
Roland Barthes Par Roland Barthes
Source Events
Suzanne Keen
trauma narratives
Vice Versa
White Hotel
White Space

Product details

  • ISBN 9781138710290
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Taking a fresh look at the state of autobiography as a genre, The Phenomenology of Autobiography: Making it Real takes a deep dive into the experience of the reader. Dr. Schmitt argues that current trends in the field of life writing have taken the focus away from the text and the initial purpose of autobiography as a means for the author to communicate with a reader and narrate an experience. The study puts autobiography back into a communicational context, and putting forth the notion that one of the reasons why life writing can so often be aesthetically unsatisfactory, or difficult to distinguish from novels, is because it should not be considered as a literary genre, but as a modality with radically different rules and means of evaluation. In other words, not only is autobiography radically different from fiction due to its referentiality, but, first and foremost, it should be read differently.

Dr Arnaud Schmitt is a Senior Lecturer and Professor at the University of Bordeaux

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