Philosophical Theories of Political Cinema

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A01=Angelo Emanuele Cioffi
Aesthetically Relevant
Affective Appraisal
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analytic philosophy
Art Critical Practice
Author_Angelo Emanuele Cioffi
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Category1=Non-Fiction
Category=AB
Category=APF
Category=ATF
Category=HPN
Category=JFD
Category=QDTN
Category=QDTS
cognitivist film theory
Congregatio De Propaganda Fide
COP=United Kingdom
Dardenne Brothers
Dead Man Walking
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Empathic Engagement
Enemy Distinction
Epistemic Authority
Epistemic Contributions
Epistemic Defect
Epistemic Efficiency
Epistemic Gains
epistemic values
Epistemically Meritorious
Epistemically Valuable
eq_art-fashion-photography
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eq_isMigrated=2
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film as thought experiment
Film's Capacity
Film’s Capacity
Golden Door
Language_English
Nonfiction Films
Oliver Stone's JFK
Oliver Stone’s JFK
Open Voice
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philosophical analysis of political films
political aesthetics
Political Cinema
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propaganda analysis
Propaganda Films
Propositional Knowledge
PS=Forthcoming
Qua Art
softlaunch
Vice Versa

Product details

  • ISBN 9781032046228
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book utilizes philosophical tools to build up a framework for the classification, analysis and assessment of political cinema. The author first maps the category of political cinema, clarifying what it means for a film to be ‘political’, and then analyzes the relation between the value of a film as a political film and its value as art.

Through philosophical enquiry, Angelo Emanuele Cioffi builds up a framework that could be of use in art-critical practice and that can help with the classification and assessment of political films. Grounded in analytic philosophy of art and cognitivist film theory, with insights from political science, political philosophy, epistemology and cognitive science, the book presents a unique analysis of the relation between films and the ‘political’. This theory is tested with detailed case studies, and the author uses specific films as examples of the applicability and explanatory power of this theoretical framework.

As such, this book will be of interest not just to film studies, film theory and political philosophy scholars, but to anyone with an interest in political film, aesthetic practice and philosophy of art.

Angelo Emanuele Cioffi studied Political Theory and Cultural Policies at the Universities of Pavia and Warwick and received his PhD in History and Philosophy of Art from the University of Kent. He teaches ‘English for the Arts’ at ‘LABA’ Fine Arts Academy and Literature at a high school in Brescia.

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