Philosophy and Aesthetics

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=James W. Manns
Aesthetic Emotion
Aesthetic Judgments
aesthetic philosophy research
Angler Fish
art theory analysis
artistic communication models
atonal
Author_James W. Manns
box
brillo
Brillo Box
Bryce Canyon
Category=AGA
Category=AVLA
Category=DSBH
Category=QDTN
Chopin
contemporary aesthetics discourse
critical art interpretation
Delta Kappa Epsilon
domain
Eliot's Sunday Morning Service
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Expression Theory
Expressive Properties
Family Resemblance Model
Football Game
fry
Gestalt Theory
Gogh
Intentional Elements
mozart's
Mozart's Violin Concerto
music
objectivity of taste
Reflective Judgment
reid's
Reid's Account
requiem
Richard III
roger
Snoop Doggy Dogg
universality in art
Ut Pictura Poesis
Vice Versa
Vincent Van Gogh
Warhol's Brillo Box
Young Man

Product details

  • ISBN 9781563249532
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Aug 1997
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
James Manns presents a readable and entertaining examination of the most serious questions posed by the arts and our relation to them. In a clear and engaging fashion, he explores the central issues in aesthetics: aesthetic judgment, the nature and role of criticism, the elusiveness of the concept of art, and communication through art, and he critically (but sympathetically) considers that principal theories of art that focus on expression, form, and representation. Through the use of extensive, entertaining, and current examples (including film), Manns conveys the solid basics relating to the history and development of aesthetic theories, tries out these various theories against the art of the last half century, then outlines his own view revolving around the artist's intention and the act of communication.

More from this author