Philosophy and Film

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
aesthetics
analytic
analytic aesthetics
analytic philosophy
analytic/continental divide
artificial intelligence in cinema
Badiou's Critiques
Badiou’s Critiques
Biopolitical Potential
Blade Runner
Bold Thesis
Bridge Divides
Category=AFKV
Category=ATFA
Category=QDTN
Catherine Wheel
Chris Falzon
Christina Rawls
cinema
Cinematic Ethics
cinematic experience
Cinematic Medium
cinematic phenomenology
Cinematic Philosophy
Cinematic Specificity
Cinematic Thinking
collapsed seeing
Configurational Properties
continental aesthetics
continental divide
continental philosophy
cronosigns
David Davies
Deborah Knight
Diana Neiva
Dina Mendonca
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Erotetic Narration
experimental film
Experimental Solution
Fictional Narrative Films
film ethics
film studies
film theory
film-philosophy
Gilles Deleuze
Hanna Trindade
Hunter Vaughan
Ines Coelho
John O Maoilearca
Jonadas Techio
Local Angel
Malcolm Turvey
Mary Bloodsworth-Lugo
media studies
Michel De Montaigne
moving image
narration
narrative theory
natural film-philosophy
Noel Carroll
Non-chronological Time
nonfiction cinema
Nonhuman Natural World
Oana Serban
offloading hypothesis
Paisley Livingston
Paradigm Scenarios
philosophical analysis of moving images
Philosophical Thought Experiments
philosophy of art
philosophy of film
postmodern cinema
race and philosophy of film
Robert Sinnerbrink
Scientific TEs
seeing-as
Stanley Cavell
Steen Ledet Christiansen
Steven S. Gouveia
Susana Viegas
the bold thesis
Thomas E. Wartenberg
Thought Experiments
Tom McClelland
Trevor Ponech
Tv Series
Vice Versa
Wollheim's Theory
Wollheim’s Theory

Product details

  • ISBN 9781138351691
  • Weight: 680g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 Apr 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg.

While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema’s biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film.

This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

Christina Rawls is Professor of Philosophy at Roger Williams University, USA.

Diana Neiva is a Researcher at the Mind, Language, and Action Group of the Institute of Philosophy of the University of Porto, Portugal.

Steven S. Gouveia is a Ph.D. candidate at the University of Minho, Portugal. He is the co-editor of Perception, Cognition, and Aesthetics (forthcoming, Routledge).