Philosophy of Chinese Art

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A01=Zhu Zhirong
aesthetic representation
Aesthetics
Ancient Chinese
ancient Chinese thought
art ontology
Art Philosophy
Artistic Chronotope
Author_Zhu Zhirong
Bosom Friend
Category=AB
Chinese aesthetics
Chinese Art
Chinese Art Theories
Chinese Art Traditions
Creative Construction
Emotional Rhythm
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
evolution of artistic principles
Form Resemblance
Jin Dynasties
life philosophy in art
Lu Ji
Ming Dynasty
Perceptual Form
Perceptual Life
Qing Dynasty
Rational Interest
rhythm and harmony
Southern Song Dynasty
Subject's Mind
Subject’s Mind
Tang Dynasty
Vice Versa
Vital Energy
Wang Fuzhi
Wang Shizhen
Xie Lingyun
Yangtze River

Product details

  • ISBN 9781032069500
  • Weight: 680g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title provides a systematic examination of the philosophy of Chinese art, exploring the peculiarity of artistic forms and distinctive conceptions and artistic principles of Chinese art which are grounded in the life awareness of the ancient Chinese and interconnect with the Chinese philosophy of life.
Synthesizing Chinese theories of art with Western philosophical systems, the book is organized into five parts: (1) the subject, the actor who creates, appreciates, and criticizes artistic works; (2) ontological aspects, that is, the artwork per se and the dynamic process of creation; (3) aesthetic traits, the organic whole constituted by rhythm, meter, the principle of harmony, and space-time awareness; (4) artistic representation, which is manifested in the rhythm of vital energy, momentum of genre, vigour of style, and taste and inclination; and (5) the evolution of Chinese art. Based on this structural thread, the author looks into the interwoven relationship between the philosophy of Chinese art and ancient Chinese thought in terms of the spirit of life, nature–human relations, and ontological awareness of human-centredness.
The book will appeal to scholars, students, and general readers interested in aesthetics, art theory, art philosophy, Chinese art, and ancient Chinese culture.

Zhu Zhirong is Professor of Aesthetics and Director of Aesthetics and Art Theories Research Center at East China Normal University. He specializes in ancient Chinese aesthetics and art theories, and has published dozens of monographs and articles about aesthetics and literary criticism.

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