Phonographic Encounters

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78 records
acoustic anthropology
audio studies
Biblioteca De Catalunya
Boulevard Des Italiens
Category=AV
Category=AVL
Category=AVLA
Category=AVLP
Category=AVX
Category=JBCC1
Category=JBCT
Category=KNTF
Category=PDX
colonial knowledge exchange
early audio culture
early audio technology
Early Phonography
early recording era
early sound recording
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
Ethnic Germans
German National Character
Global Colonial Powers
global cultural studies
global media history
global music industry
global recording industry
gramophone
Gramophone Company
history of audio recording
history of music technology
history of recording
history of recording technology
history of sound recording
history of sound technology
history of the record industry
Italian Community
Local Italian Community
Mechanical Music
media studies
music and material culture
music media history
music technology
musicology research
National Library
Neapolitan Songs
Nikolai Andreyevich Rimsky Korsakov
Peking Opera
phonograph
phonographic cylinder
phonographs
phonography
Playback
Record Collectors
recorded music
recorded sound
recording industry
Solitary Listening
sound recording
sound recording technology
sound studies
Svenska Dagbladet
Talking Machine
Talking Machine World
transnational cultural exchange
transnational recording cultures analysis
Vice Versa
Victor Talking Machine Company

Product details

  • ISBN 9780367439217
  • Weight: 526g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies.

Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.

Elodie A. Roy is a media and material culture theorist. She is the author of Media, Materiality and Memory: Grounding the Groove (Routledge).

Eva Moreda Rodríguez is Senior Lecturer in Musicology at the University of Glasgow and the author of two books on music and politics in Francoist Spain. Her research into early recordings in Spain has received funding from the AHRC and the British Academy.