Photo Archives and the Place of Photography

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Age Group_Uncategorized
Age Group_Uncategorized
Archival Processes
archival theory
Archiving
automatic-update
B01=Deborah Schultz
B01=Geraldine A. Johnson
Bedouin
Bernard Berenson
Category1=Non-Fiction
Category=AB
Category=AJ
COP=United Kingdom
cross-disciplinary research
Crown Treasure
cultural heritage documentation
Delivery_Pre-order
DEMATERIALIZING
digital photographic archives analysis
Digitalize
digitisation of images
Digitization
DISLOCATING
Displacements
Early Color Photography
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Frederic Edwin Church
Galerie d'Apollon
Galerie d’Apollon
Geopiety
Germany
Iran
Italy
Josef Sudek
Language_English
Louvre
Mediterranean
Middle East
museum collections management
Naqab Desert
PA=Not yet available
Photographic Object
Place
Price_€100 and above
PS=Forthcoming
Royal Heirlooms
softlaunch
Translating
visual culture studies
Wissenschaft

Product details

  • ISBN 9781350107533
  • Weight: 620g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Feb 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This collection of chapters investigates the effects of mobility and place on a range of photographic archives and explores their potential for cross-disciplinary dialogue.

The book explores photographic images used in the study of art, as well as the implications of placing European images of non-European cultures in an archive, album, library, or museum. It also addresses questions of digital space, which renders images more visually accessible, but further complicates issues relating to location. The contributors consider these issues through case studies based on a variety of archives, institutions, and disciplines. Just as photographs are conceived as unstable objects, so conventional borders between disciplines and locations are challenged and opened up with chapters drawing on a range of disciplinary theories and practices. The focus of the individual chapters is global, as seen in contributions not only on Euro-American topics, but also on Orientalizing approaches to photographing the Ancient Near East, photographic archives of Bedouin subjects, and digital photographic archives in an Iranian context.

This book will be of interest to scholars of art history, visual and cultural studies, anthropology, and archaeology, as well as those working on the history and theory of photography, and histories and theories of the archive.

Geraldine A. Johnson is Head of the Department of History of Art at the University of Oxford and a College Fellow of Christ Church, Oxford.

Deborah Schultz is Senior Lecturer in Art History at Regent’s University, London.