Photo Obscura

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A01=Natasha Chuk
AI images
art criticism
art history
Author_Natasha Chuk
Category=ABA
Category=AJT
Category=JBCT
digital art
digital humanities
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
media studies
mixed reality
photo onotology
photography
phygital reality
post-photography
truth claim

Product details

  • ISBN 9781835952863
  • Dimensions: 170 x 244mm
  • Publication Date: 24 Oct 2025
  • Publisher: Intellect
  • Publication City/Country: GB
  • Product Form: Paperback
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Photo Obscura: The Photographic in Post-Photography discusses the profound transformation of post-photography. It argues post-photography is not merely a trend but a significant movement that redefines photography by integrating it with emerging technologies and creative practices, resulting in works that may not even resemble photographs but still retain a photographic influence.

It is structured around various themes, including AI-generated images, the intersection of digital and physical art forms and the changing relationship between visual representation and perception. Drawing on photo history, media studies, visual studies, art history and the digital humanities and through discussions of specific artworks and artists, it provides insights into how post-photography continues to evolve, offering new ways to understand, define and engage with the photographic image in the digital age. It highlights the influence of digital culture, where the abundance of images and information has led to novel approaches in art that question the very nature of photography, truth and reality. Still, it maintains that despite this radical shift, photography's influence remains central, even when hidden or abstracted in the final work.

 

Natasha Chuk, Ph.D., is a New York City-based media theorist, educator and independent curator whose work is situated at the intersection of art, philosophy, and creative technologies. She is the author of Vanishing Points: Articulations of Death, Fragmentation, and the Unexperienced Experience of Created Objects (Intellect, 2015).

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