A01=Ted Hiebert
ambiguity in photography
Author_Ted Hiebert
Category=AGA
Category=AJ
Category=GTC
Category=JBCC1
Category=JBCT1
contemporary photography
digital culture
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
ideological functions of images
pedagogical photography exercises
photography theory
technology and society
visual culture
Product details
- ISBN 9781487525675
- Weight: 1g
- Dimensions: 140 x 216mm
- Publication Date: 02 May 2025
- Publisher: University of Toronto Press
- Publication City/Country: CA
- Product Form: Paperback
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Photographing Ambiguity examines photography as a metaphor for technological culture, arguing that a relational exploration of the medium can shed light on the dominant ideological tendencies of our time. The book advocates for photographic practices that emphasize ambiguity, suggesting that this approach fosters more conscientious, ecological, and creative relationships within the technological ecosystem of contemporary life.
Ted Hiebert critiques the notion that images should primarily serve to verify or document the external world. He contends that these quantifiable perspectives, while rooted in historical trends towards technology and data, have become so pervasive that they represent a dominant ideological bias in the twenty-first century. In response to this data-driven consciousness, the book presents a series of exercises designed to cultivate an embodied experience with digital living – not in opposition to the flood of images but within it. Ultimately, Photographing Ambiguity encourages readers to understand photographs not as benchmarks of reality but as ambiguous constructions of our present and future imaginaries.
Ted Hiebert critiques the notion that images should primarily serve to verify or document the external world. He contends that these quantifiable perspectives, while rooted in historical trends towards technology and data, have become so pervasive that they represent a dominant ideological bias in the twenty-first century. In response to this data-driven consciousness, the book presents a series of exercises designed to cultivate an embodied experience with digital living – not in opposition to the flood of images but within it. Ultimately, Photographing Ambiguity encourages readers to understand photographs not as benchmarks of reality but as ambiguous constructions of our present and future imaginaries.
Ted Hiebert is a professor and chair of the School of Image Arts at Toronto Metropolitan University.
