Photography

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Advertising Photography
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Alison Gernsheim
analogue to digital imaging
automatic-update
B01=Liz Wells
Category1=Non-Fiction
Category=AB
Category=AJ
Category=JBCT
Category=JFC
Category=JFD
Citizen Photojournalist
Commercial Photography
COP=United Kingdom
critical approaches to photographic history
Critical Theory
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Documentary Photographers
Documentary Photography
Domestic Photography
embodiment in visual arts
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eq_isMigrated=2
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eq_non-fiction
eq_society-politics
Farm Security Administration Project
Fashion Image
Fashion Photography
Fashion Spread
Holds
Introduction to Photography
Language_English
MARK HAWORTH BOOTH
Mary Warner Marien
media representation theory
Migrant Mother
MIT Press
National Library
PA=Available
Personal Photography
Photographic Practices
photographic semiotics
Photographies
Photography and archives
Photography and the body
Photography Cultures
Photography Theory
Photography: A Cultural History
Price_€20 to €50
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social documentary analysis
softlaunch
Soviet Constructivism
Street Photography
USA
visual culture studies
Visual Studies Workshop
WALTER BENJAMIN
Women Photographers
Younger Men

Product details

  • ISBN 9780367222741
  • Weight: 1400g
  • Dimensions: 189 x 246mm
  • Publication Date: 09 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Now in its sixth edition, this seminal textbook examines key debates in photographic theory and places them in their social and political contexts. Written especially for students in further and higher education and for introductory college courses, it provides a coherent introduction to the nature of photographic seeing.

Individual chapters cover:

• Key debates in photographic theory and history

• Documentary photography and photojournalism

• Personal and popular photography

• Photography and the human body

• Photography and commodity culture

• Photography as art.

This revised and updated edition includes new case studies on topics such as: Black Lives Matter and the racialised body; the #MeToo movement; materialism and embodiment; nation branding; and an extended critical discussion of landscape as genre.

Illustrated with over 100 colour and black and white photographs, it features work from Bill Brandt, Susan Derges, Rineke Dijkstra, Fran Herbello, Hannah Höch, Mari Katayama, Sant Khalsa, Karen Knorr, Dorothea Lange, Susan Meiselas, Lee Miller, Ingrid Pollard, Jacob Riis, Alexander Rodchenko, Andres Serrano, Cindy Sherman and Jeff Wall.

A fully updated resource information, including guides to public archives and useful websites, full glossary of terms and a comprehensive bibliography, plus additional resources at routledgetextbooks.com/textbooks/9780367222758/ make this an ideal introduction to the field.

Liz Wells is Professor Emeritus in Photographic Culture, Faculty of Arts, Humanities and Business, University of Plymouth, UK.