Photography and History in Colonial Southern Africa

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A01=Lorena Rizzo
Aerial Photographs
aerial photography
African photographic archives
African studio portraits
archival research methods
Author_Lorena Rizzo
Bird's Eye
Bird’s Eye
Breakwater Prison
Cape Colonial prison albums
Cape Town Archive
Category=AJ
Category=NHH
Category=NHTQ
Central Government
Central Namibia
Colonial Administration
colonial history
colonial photography
colonial photography africa
colonial south africa
colonial Southern Africa
colonial visual culture
Convict Station
Cost Efficient Mapping
Eastern Cape
Eastern Cape History
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exposed Farm Workers
German Colonial
German South West Africa
historical image interpretation
history south africa
history southern africa
identity documentation studies
Native Affairs Department
photography soouth africa history
photography southern africa history
Physiognomic Description
Population Registration
Prison Photographs
racial representation analysis
South African Air Force
South African dompas photographs
South African Nation State
South West African
Trigonometrical Survey
visual history south africa
visual sources in colonial Africa research
Western Cape Archives
Young Man

Product details

  • ISBN 9781032089058
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form.

Through use of private and public archives, images produced by African itinerant photographers, white settlers, and colonial state institutions, this book explores the relationship between photography and history in colonial Southern Africa. Late nineteenth century Cape Colonial prison albums, police photographs from German Southwest Africa, African studio portraits, identity documents, travel permits and passports from the 1920s and 1930s, visual studies of whiteness and blackness authored by settler photographers, South African dompas photographs from the 1950s and 1960s, and aerial photography from the Eastern Cape in the mid-twentieth century are examined to highlight the ways in which photographic images cut across conventional institutional boundaries and complicate rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, or the subject and the object. Photography and History in Colonial Southern Africa argues that rather than understanding photographs as a means of preserving and recreating the past in the present, we can value them for how they evoke at once the need for and the limits of historical reconstruction.

This book will be of interest to students and scholars of colonial history, photographic history, visual media, and African studies.

Lorena Rizzo is a historian at the University of Basel, Switzerland. She has taught in universities in Switzerland, Germany, Namibia, South Africa and the USA, curated photographic exhibitions, and organised public history projects across Europe and Southern Africa.

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