Photography and Imagination

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ActiveStills
Anne Paq
art theory
Artemidorus Papyrus
Austria
authorship in media
Bayerisches Nationalmuseum
Bird's Eye
Bird’s Eye
Category=AJ
conservation
Costume Portraits
Current Political Moment
daguerreotype
digital image analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Everyday Militarism
fantasy
Fluoroscopic Screen
Gay Liberation Activists
gay liberation rally
Gelatin Silver Print
Germany
Grant Park
Greece
Hans Castorp
history of photography
imagination
imaginative investments
imaginative processes in photography research
invisible
James VanDerZee
Kang Yongsok
Karl May
Korea
LGBTQ
Lorna Simpson
Lower Order Figurations
Militarized Masculinity
Military Photography
misperception
modernity
Natural Ridges
Nazi
Nazi Racial Science
objectivity
Optical Unconscious
Palestinian Authority
Paul Strand
perception
philosophy
Photographic Imagination
photography
photography studies
Photography's Ability
Photography’s Ability
practice
Queer Imagination
queer visual studies
racial photography
reality
representations of reality
self portraits
stereographic photography
stereoscopic vision
technology
theory
theory of representation
truth
United States
vision
visual culture studies
West Germany
Winter Garden Photograph
Wooden Brain Grotesque Ideas
x-ray
X-ray Photography
Young Man

Product details

  • ISBN 9781032337883
  • Weight: 480g
  • Dimensions: 174 x 246mm
  • Publication Date: 13 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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As the prototypical exemplar of modern visual technology, photography was once viewed as a way to enable vision to bypass imagination, producing more reliable representations of reality. But as an achievement of technological modernity, photography can also be seen as a way to realize a creation of the imagination more vividly than can painting or drawing. Photography and Imagination investigates, from diverse points of view focusing on both theory and practice, the relation between these two terms. The book explores their effect on photography’s capacity, through various forms and modalities of imaginative investments and displacements, to affect even reality itself.

Amos Morris-Reich is Professor in the Department of Jewish History and Thought at the University of Haifa, Israel.

Margaret Olin is Senior Research Scholar in the Divinity School at Yale University, USA.