Photography and Its Origins

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African Photographers
African Photography
Alison Gernsheim
Andres Mario Zervign
Beth Saunders
Camera Obscura Image
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Category=AF
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Chinese Photography
critical approaches to photographic history
Daguerreotype Portrait
Dan Estabrook
De La Photographie
Direct Positive Process
Douglas R. Nickel
drawing
early image making
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Francois Brunet
Gelatin Silver Print
Geoffrey Batchen
Gernsheim Collection
Hans Rooseboom
Harry Ransom Center
Heather A. Shannon
Helmut Gernsheim
Hercules Florence
historiography of science
indigenous visual histories
invention narratives
Jessica S. McDonald
Jordan Bear
Jurg Schneider
Kelley Wilder
Laura Saltz
Marcy J. Dinius
Michel Frizot
Paul Delaroche
Photo Graphy
photogenic
Photogenic Drawing
Photography
Photography's Beginnings
Photography's Origins
photographys
Photography’s Beginnings
Photography’s Origins
Rotimi Fani Kayode
scientific imaging techniques
Stephen Bann
Stephen C. Pinson
Talbot's Photogenic Drawing
Talbot’s Photogenic Drawing
Thomas Wedgwood
visual culture studies
Yi Gu

Product details

  • ISBN 9780415722902
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Nov 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium.

Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do?

Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing.

Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.

Tanya Sheehan is Associate Professor in the Department of Art at Colby College, where she teaches American art history and the history of photography. She is the author of Doctored: The Medicine of Photography in Nineteenth-Century America (2011) and editor of Photography, History, Difference (2014). Andrés Mario Zervigón is Associate Professor of the History of Photography in the Art History Department at Rutgers, The State University of New Jersey. He is author of John Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant-Garde Photomontage (2012).