Photography and Making Bedouin Histories in the Naqab, 1906-2013

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A01=Emilie Le Febvre
anthropology
archival image analysis
archives
art history
Author_Emilie Le Febvre
Bedouin society
Beersheba
Category=AB
Category=AF
Category=AGA
Category=AJ
Category=GTM
Category=JHM
Category=NHTB
community
desert
elders
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic methods
ethnography
gender
home
iconography
images
internet
Israel
Khashem Zana
Middle East
Middle Eastern studies
Negev Desert
nomads
occupation
Orientalism
Palestine
photographic evidence in indigenous history
politics
portrait
protest
technology
tribal identity politics
tribe
visual anthropology

Product details

  • ISBN 9781032641249
  • Weight: 600g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 Jun 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Introducing a novel anthropological study of photography in the Middle East, Emilie Le Febvre takes us to the Naqab Desert where Bedouin use photographs to make, and respond to, their own histories.

She argues Bedouin presentations of the past are selective but increasingly reliant on archival documents such as photographs which spokespersons treat as evidence of their local histories amid escalating tensions in Israel. These practices shape Bedouin visual historicity, that is the diverse ways people produce their pasts in the present with images. This book charts these processes through the afterlives of six photographs (c. 1906–2013) as they circulate between the Naqab’s entangled visual economies – a transregional landscape organised by cultural ideals of proximity and assemblages of Bedouin iconography. Le Febvre illustrates how representational contentions associated with tribal, civic, and Palestinian-Israeli politics influence how images do history work in this society. She concludes Bedouin visual historicity is defined by acts of persuasion during which photographs authenticate alternating history projects. Here, Bedouin value photographs not because they evidence singular narratives of the past. Rather, the knowledges inscribed by photography are multifarious as they support diverse constructions of history and society with which members mediate a wide range of relationships in southern Israel.

This book bridges studies of anthropology, photography, Palestinian-Israeli politics, and Bedouin Middle East history.

Emilie Le Febvre received her DPhil and MSc from the Institute of Social and Cultural Anthropology at the University of Oxford.

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