Photography and Place

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A01=Donna West Brett
abscence
Adolf Hitler
afterimage
aftermath visual analysis
Anhalter Bahnhof
art
Author_Donna West Brett
Berlin Street
Bernauer Strasse
Category=AB
Category=AGA
Category=AJ
Category=AJF
Category=JBCT
Charcot
Courtesy Galerie
Demand's Photograph
Demand’s Photograph
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
Flak Towers
GDR Citizen
GDR Government
Germany's Recent Past
Germany’s Recent Past
historical rupture imagery
Hitler
Jean Martin Charcot
landscape
landscape and identity studies
Levin's Photograph
Levin’s Photograph
memory
memory studies Germany
Palast Der Republik
post-1945 German photographic theory
post-wall
postwar
postwar German visual culture
Recent German History
Rephotographic Survey Project
Ruin Photography
ruins
SLUB Dresden
Struth's Photographs
Struth’s Photographs
Thomas Struth
Thomas Wolf
trauma
trauma representation photography
visual culture
visual studies
Wall's Construction
West Germany

Product details

  • ISBN 9781138597907
  • Weight: 410g
  • Dimensions: 152 x 229mm
  • Publication Date: 25 Apr 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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As a recording device, photography plays a unique role in how we remember places and events that happened there. This includes recording events as they happen, or recording places where something occurred before the photograph was taken, commonly referred to as aftermath photography. This book presents a theoretical and historical analysis of German photography of place after 1945. It analyses how major historical ruptures in twentieth-century Germany and associated places of trauma, memory and history affected the visual field and the circumstances of looking. These ruptures are used to generate a new reading of postwar German photography of place. The analysis includes original research on world-renowned German photographers such as Thomas Struth, Thomas Demand, Michael Schmidt, Boris Becker and Thomas Ruff as well as photographers largely unknown in the Anglophone world.

Donna West Brett is a Lecturer of Modern Art at the University of Sydney, Australia. She is author of ‘Interventions in Seeing: GDR Surveillance, Camouflage & the Cold War Camera’, in Camouflage Cultures: The Art of Disappearance, Ann Elias, et al., eds. (University of Sydney Press, 2015).

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