Photography and Political Aesthetics

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A01=Jane Tormey
Art and politics
Art and society
Author_Jane Tormey
Category=AB
Category=AF
Category=AGA
Category=AJ
Category=GTC
Category=JBCT
Category=NH
Conflict
critical theory
cultural production
Documentary
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist visual studies
identity politics
Photography
Photography and politics
Photojournalism
postcolonial critique
Power
Propaganda
Representation
Social activism
Social ethics
Social Justice
trauma representation
Visual Culture
visual culture in political movements

Product details

  • ISBN 9780367609160
  • Weight: 610g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs.

The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Latour, and Chantal Mouffe. The pursuit of ‘political aesthetics’ borrows from Jacques Rancière’s ideas about cultural production. Photography and Political Aesthetics identifies photography as politically productive when positioned within political movements, and champions practices that perform, investigate, or give attention to presentation and public dissemination.

This book is ideally suited to students studying photography, art and aesthetics, visual politics, and cultural studies, and researchers across the fields of photography, media, art, and politics.

Jane Tormey is the co-editor of The Routledge Companion to Photography Theory (2020) and Art, Politics and the Pamphleteer (2021) and the author of Cities and Photography (2012) and Photographic Realism: Late Twentieth Century Aesthetics (2013). She is an independent scholar and Honorary Fellow of Loughborough University.

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