Photography and Political Repressions in Stalin’s Russia

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1930s
A01=Denis Skopin
Age Group_Uncategorized
Age Group_Uncategorized
Author_Denis Skopin
automatic-update
blacking out
Capital Punishment
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AJ
censorship
Communal Apartments
communism
Comrade Stalin
COP=United Kingdom
Damnatio Memoriae
David King
Delivery_Delivery within 10-20 working days
Dutch Group Portraits
Editing Photographs
enemies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
excision
family
Forensic Photography
friends
Group Photograph
Group Portrait
historical photograph analysis
iconoclasm
Individual Portrait
Joseph Stalin
Language_English
Lazar Kaganovich
marking
memory studies
Mikhail Kalinin
Nizhny Novgorod
NKVD
NKVD archives
NKVD Officer
PA=Available
political iconoclasm
politics
portrait
Price_€20 to €50
PS=Active
scratching
Secret Police
Secret Police Officers
softlaunch
Soviet Photography
Soviet Secret Police
Soviet Union
Soviet visual culture
Stalin's Portrait
Stalin's Russia
Stalin's Terror
Stalinist image manipulation research
totalitarian surveillance
Unidentified Photographer
USSR
vandalism
White Sea Baltic Canal
Young Man

Product details

  • ISBN 9781032027074
  • Weight: 360g
  • Dimensions: 174 x 246mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia.

The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members.

The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.

Denis Skopin is Associate Professor at the Faculty of Liberal Arts and Sciences at Saint Petersburg State University, Russia.

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