Photography and Sculpture - The Art Object in Reproduction
Regular price
€49.99
14 days return policy
Shipping & Delivery
A Place to Read
A01=Megan R. Luke
A01=Sarah Hamill
Aby Warburg
Ackbar Abbas
Ad Reinhardt
African sculpture
Apollo Belvedere
archaeological photography
Archaologische Zeitung
artificial blindness
Author_Megan R. Luke
Author_Sarah Hamill
Bauhaus
behind
black background
Cahiers d'Art
Cahiers d’Art
Category=AB
Charles Babbage
Clarence Kennedy
classical
colonialism
Dadaglobe
Dan Flavin
Daniel-Henry Kahnweiler
distortion
documentation
Dominique Paini
Donatello
Early One Morning
engraving
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
folios
fotoesculturas
Fotoplastiks
framing
frontal
Giedion-Welcker
Greek
Greek art
Greek sculptures
Greek Youth
Harriet and Sidney Janis
Hellenistic
histographical
Joseph Mahler
Katharina Sieverding
Kinetische Plastik
Kopienkritik
Laszlo Moholy-Nagy
lithograph
Marcantonio Raimondi
Moderne Plastik
N. Gabo
Nan Goldin
Nathdwara
National Socialism in Germany
Naum Gabo
Nazi government
Nigerian Images: The Splendor of African Sculpture
Obalufon II
objecthood
obscure
optical framing
past
period eye
photography as carving
pictorial
plastic snow formations
Plastische Schneebildungen
Rachel Harrison
Rajasthan
Renaissance architecture
reproductive
restaging
Robert Morris
Sai Baba
Saraswati Digital Studio
scientific
sculpture from behind
seeing
Snow Formation
stage
staging
substitution
The Seven Wonders of the World
Thomas Struth
Three Graces
Titian
vectograph
Victor Burgin
view
viewpoint
William Fagg
William Henry Fox Talbot
Product details
- ISBN 9781606065341
- Weight: 946g
- Dimensions: 179 x 253mm
- Publication Date: 01 Dec 2017
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Ever since the mid-nineteenth century, when the new medium of photography was pressed into service to illustrate sculpture, photographs of sculptural objects have directed viewers as to just when, in the course of ambling around a sculpture, was the single perfect moment to stop and look. What is the photograph's place in writing the history of sculpture? How has it changed according to culture, generation, critical conviction, and changes in media? Photography and Sculpture: The Art Object in Reproduction studies aspects of these questions from the perspectives of sixteen leading art historians. Chapters on such varied topics as picturing Conceptual art, manipulating sacred images in India to be nonphotographs, and framing Roman art with an iPad illustrate the latent visual and narrative powers and ever-expanding potential of these images of sculpture.
Sarah Hamill is assistant professor of modern and contemporary art at Oberlin College. Megan R. Luke is assistant professor of art history at the University of Southern California.
