Photography, Temporality, and Modernity
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A01=Kris Belden-Adams
abstraction
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Andrew Davidhazy
art history
Author_Kris Belden-Adams
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Category1=Non-Fiction
Category=ABA
Category=ACX
Category=AGA
Category=AJ
Category=PDX
Chisholm Trail
Cloudy Pixels
COP=United Kingdom
cultural history of images
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Digital Composite
digital image montage
digital technology
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Exposure Time Duration
Exposure Times
extended exposure techniques
Gelatin Emulsion
Google Earth Engine
Harold Edgerton
history of photography
history of science
history of technology
industrial history
Isa Belle
Language_English
Liberty Bell
literature studies
Miller's Poem
Miller’s Poem
modern art
modernism
Multiple Temporal Dimensions
Muybridge's Images
Muybridge's Photographs
Muybridge’s Images
Muybridge’s Photographs
NASA
nineteenth century
PA=Available
Photo Finish
photographic temporality in scientific research
photographic theory
postmodern art
postmodernism
Price_€100 and above
PS=Active
psychology
Race Finishes
Roland Barthes
Roland Barthes Par Roland Barthes
softlaunch
space
Stroboscopic Photograph
Swing Lens Cameras
technological advances
temporal representation
temporality
Terra MODIS Sensor
theory of photography
time
time relativity
twentieth century
twenty-first century
Unaided Human Eye
Uniform Lighting Conditions
VIIRS
visual culture studies
Walter Benjamin
West Germany
Winter Garden Photograph
Product details
- ISBN 9781138544314
- Weight: 594g
- Dimensions: 174 x 246mm
- Publication Date: 28 Jan 2019
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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This book examines the photography’s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium’s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The book features studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images. A closer look at these images and their unique cultural/historical contexts reveals photography to be a unique medium for expressing changing perceptions of time, and the anxiety its passage provokes.
Kris Belden-Adams is an Assistant Professor of Art History at the University of Mississippi, and specializes in the history and theory of photography and contemporary art. She is the author of Photography, Eugenics, ‘Aristogenics’: Picturing Privilege (2019), and the editor and contributor of two chapters to the volume Photography and Failure: One Medium’s Entanglement With Mishaps, Flops, and Disappointments (2017).
