Phototruth Or Photofiction?

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A01=Thomas H. Wheeler
alteration
Alteration Distance
American Photo
Asbury Park Press
Author_Thomas H. Wheeler
Category=AJF
Category=JBCT4
Category=KNTP2
Computerized Image
Cosmetic Retouching
Cosmetic Touch Ups
digital
digital photo authenticity
Digital Photomontage
Digitally Altered
environment
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethical standards for news photography
fred
FSA
hard
Hurricane Survivors
image manipulation ethics
journalism
journalism education resource
Journalistic Photo
Mass Media Photography
media ethics analysis
National Enquirer
National Geographic
National Press Photographers Association
news
nonfiction media credibility
photographic
ritchin
Simpson Cover
Spring Fever
Sting Ray
Tv Guide
Unaltered Photos
University Of Wisconsin
USA Today
Violate
visual
visual communication studies
Washington Journalism Review
Web Tv

Product details

  • ISBN 9780805842616
  • Weight: 440g
  • Dimensions: 178 x 254mm
  • Publication Date: 01 May 2002
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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This text examines the use of images in journalistic contexts and the manipulation of these images to accomplish varying objectives. It provides a framework for critical discussion among professionals, educators, students, and concerned consumers of newspapers, magazines, online journals, and other nonfiction media. It also offers a method of assessing the ethics of mass-media photos, which will help visual journalists to embrace new technologies while preserving their credibility.

Phototruth or Photofiction? also:
*recounts the invention of photography and how it came to be accorded an extraordinary degree of trust;
*details how photos were staged, painted, composited and otherwise faked, long before digital technology;
*lists contemporary image-altering products and practices;
*details many examples of manipulated images in nonfiction media and lists rationales offered in defense of them;
*explains how current ethical principles have been derived;
*lays groundwork for an ethical protocol by explaining conventions of taking, processing, and publishing journalistic photos; and
*offers tests for assessing the appropriateness of altered images in non-fiction media.

Each chapter is followed by "Explorations" designed to facilitate classroom discussion and to integrate into those interactions the students' own perceptions and experiences. The book is intended for students and others interested in the manipulation of images.

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