Aesthetic Theory
Albert Gleizes
Ambroise Vollard
Andre Derain
Berlin Secession
Berthe Weill
Cahiers d'art
Carl Einstein
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Charles Baudelaire
Chiaroscuro
Classicism
Cubism
Daniel-Henry Kahnweiler
Diego Velazquez
Dora Maar
El Greco
Els Quatre Gats
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Erik Satie
Fernande Olivier
Figurative art
Gelett Burgess
Geometric abstraction
Georges Bataille
Gertrude Stein
Girl before a Mirror
Giuseppe Arcimboldo
Grisaille
Guillaume Apollinaire
Henri Matisse
Henri Rousseau
Impossibility
Impressionism
Jean Cocteau
Jean Metzinger
Joan Miro
Juan Gris
Jules Laforgue
La Vie (painting)
Las Meninas
Les Demoiselles d'Avignon
Luis Bunuel
Marcel Duchamp
Maurice de Vlaminck
Max Jacob
Modernism
Neo-impressionism
Nude (art)
Overreaction
Pablo Picasso
Paranoiac-critical method
Paul Cezanne
Paul Eluard
Paul Gauguin
Picasso's Blue Period
Picturesque
Pierre Reverdy
Poetry
Post-Impressionism
Ramon Casas
Roger Fry
Roland Penrose
Romanticism
Salvador Dali
Science and Charity
Still life
Surrealism
The Disasters of War
The Philosopher
Tristan Tzara
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Product details
- ISBN 9780691003481
- Weight: 425g
- Dimensions: 197 x 254mm
- Publication Date: 21 Apr 1997
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
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Picasso's extraordinary capacity to work in a variety of mediums and styles has amazed his critics since the first years of the century. This collection of critical and personal reactions to Picasso at every stage of his career provides a remarkable account of the many innovations and changes of direction that baffled his contemporaries. Picasso's working methods and his attitudes to his own art are also revealed in conversations and in letters and statements by his closest friends. A Picasso Anthology contains a wide range and variety of contemporary responses to Picasso and his art. There are essential passages from books by his close friends, including Apollinaire, Cocteau, and Roland Penrose; an important body of Catalan and Spanish criticism; reactions from English critics, including Roger Fry and John Middleton; a remarkable collection of Russian criticism of his cubist work, written in the years just before the Revolution; and Czech, Danish, and Italian articles, as well as mainstream texts from France and Germany.
Marilyn McCully is an American art historian based in London. Her books include Picasso: A Private Collection and The Art of Spanish Posters. She is the collaborating author of John Richardson's four-volume A Life of Picasso, and is also the editor of the exhibition catalog Picasso: The Early Years, 1892-1906.
