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19th century art
20th century art
A01=Christopher Riopelle
A01=Emily Talbot
A01=Susan L. Siegfried
Author_Christopher Riopelle
Author_Emily Talbot
Author_Susan L. Siegfried
Category=AGA
Category=AGB
Category=AGC
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition catalogue
fashion in art
french art
inspired
london
lover
Madame Moitessier
male gaze
Marie-Therese Walter
model
muse
national gallery
norton simon museum
nude
pasadena
second empire
spanish artist
Woman with a Book

Product details

  • ISBN 9781857096828
  • Dimensions: 229 x 267mm
  • Publication Date: 24 May 2022
  • Publisher: National Gallery Company Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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An exploration of the fascinating parallels and differences between Picasso’s Woman with a Book and Ingres’s Madame Moitessier

This publication examines, in detail, two extraordinary interrelated works: Picasso’s Woman with a Book (1932) and Ingres’s Madame Moitessier (1844–56). Each painting is explored in depth, illuminating the parallels and differences between the artists’ techniques and creative ambitions. The first essay tells the story of the twelve-year gestation of Ingres’s Madame Moitessier, focusing on the role of drawings in the elaboration of the composition, and of the sitter herself in determining how she was to be presented. The second essay traces the development of Picasso’s Woman with a Book, among the most celebrated likenesses of the artist’s young lover, Marie-Thérèse Walter. In contrast to Ingres’s work, it was painted in just a day or two. The final essay explores, through these two works, the artists’ shared interest in the relationship between nude and clothed bodies, revealing the depth of Picasso’s engagement with Madame Moitessier, which motivates and animates Woman with a Book.



Published by National Gallery Company/Distributed by Yale University Press 
Christopher Riopelle is the Neil Westreich Curator of Post 1800 Paintings at the National Gallery, London. Susan L. Siegfried is Denise Riley Collegiate Professor Emerita of the History of Art and Women’s Studies, University of Michigan. Emily Talbot is chief curator at the Norton Simon Museum, Pasadena, California.
 

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