Pictorial Metaphor in Advertising

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A01=Charles Forceville
advertising communication
Author_Charles Forceville
Black's Interaction Theory
blacks
Black’s Interaction Theory
Category=CF
Category=DS
Category=JBCT
Category=KJSA
Cognitive Environment
cognitive linguistics
domain
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
experimental pragmatics
Great Wall
IBM Product
interaction
metaphor analysis
Mona LISA
multimodal discourse
Mutually Manifest
Neutral Target Face
Ostensive Communication
Pictorial Context
Pictorial Metaphor
Pictorial Phenomena
Pictorial Tropes
primary
Primary Subject
Real Woman
secondary
Secondary Subject
source
Source Domain
subject
target
Target Domain
theory
TUNING FORK
Unweeded Garden
Verbal Metaphor
Verbo Pictorial Metaphor
Vice Versa
visual metaphor interpretation in media
visual semiotics
weak
Weak Implicatures
Wilson's Relevance Theory
Wilson’s Relevance Theory
Young Man

Product details

  • ISBN 9780415128681
  • Weight: 610g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Dec 1995
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Over the past few decades, research on metaphor has focused almost exclusively on its verbal and cognitive dimensions. In Pictorial Metaphor in Advertising, Charles Forceville argues that metaphor can also occur in pictures and draws on relevant studies from various disciplines to propose a model for the identification, classification, and analysis of 'pictorial metaphors'. By using insights taken from a range of linguistic, artistic and cognitive perspectives for example, interaction and relevance theory, Forceville shows not only how metaphor can occur in pictures, but also provides a framework within which these pictorial metaphors can be analyzed.
The theoretical insights are applied to thirty advertisements and billboards of British, French, German and Dutch origin. Apart from substantiating the claim that it makes sense to talk about `pictorial metaphors', the detailed analyses of the advertisements suggest how metaphor theory can be employed as a tool in media studies. Context in its various manifestations plays a key role in the analyses. Furthermore, the results of a small-scale experiment shed light on where general agreement about the meaning of a pictorial metaphor can shade over into other more idiosyncratic but equally valid interpretations. The final chapter sketches the ways in which the insights gained can be used for further research.

Charles Forceville is Lecturer in the Department of English, also affiliated to the Department of Comparative and Empirical Literature at the Free University in Amsterdam.

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