Pictorial Narrative in the Nazi Period

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A01=Deborah Schultz
A01=Edward Timms
Alfred Wolfsohn
arnold
Arnold Daghani
artistic resistance under fascism
Author_Deborah Schultz
Author_Edward Timms
Berlin Street
Berlinische Galerie
Blue Bottle
Category=AGA
charlotte
Collection Jewish Historical
comparative Holocaust art analysis
Cultural History Museum
daghani
ein
Ein Singspiel
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exile art history
Francesco Cangiullo
Gregory The Great
historical
Holocaust visual culture
jewish
Jewish Historical Museum
Kurt Singer
Le Soir
Ludwig Meidner
Marlborough Fine Art
modernist narrative strategies
museum
Oder Theater
Paper Horn
persecution representation
Pictorial Narrative
Pope Gregory The Great
Richard Iii
Saint Cyprien
salomon
Salomon's Work
Salomon’s Work
singspiel
Slave Labour Camp
special
Wider Issues
word-image sequences
Young Man

Product details

  • ISBN 9780415490955
  • Weight: 440g
  • Dimensions: 219 x 276mm
  • Publication Date: 23 Apr 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum.

This book was published as a special issue of Word & Image.

Edward Timms is Research Professor in History at the Centre for German-Jewish Studies, University of Sussex, and a Fellow of the British Academy. He is best known for his book Karl Kraus – Apocalyptic Satirist, published in two volumes as Culture and Catastrophe in Habsburg Vienna (1986) and The Post-War Crisis and the Rise of the Swastika (2005). Deborah Schultz is Research Fellow in the Centre for German-Jewish Studies, University of Sussex. She is the author of Marcel Broodthaers: Strategy and Dialogue (2007) and co-editor with Edward Timms of Arnold Daghani’s Memories of Mikhailowka: The Illustrated Diary of a Slave Labour Camp Survivor (2009).

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