Pictorial Third

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A01=Liliane Louvel
Angeliki Tseti
art
Author_Liliane Louvel
Category=DSA
Double Gaze
Double Perception
effects
ekphrasis theory
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
framing
Grand Chain
historian
Holbein's Dead Christ
Holbein’s Dead Christ
Hubert Damisch
image-text relations
In-between Movement
Indecipherable Script
intermedial literary analysis methods
Jean De Dinteville
Jean Rhys's Wide Sargasso
Jean Rhys’s Wide Sargasso
Las Meninas
Le Diable
Leonardo's Paragone
Leonardo’s Paragone
literary
literary visual analysis
Macrotextual Level
painting
Pearl Earring
Pictorial Allusion
Pictorial Practice
pictura
poesis
Reader's Body
Reader’s Body
sensory perception criticism
synesthesia in literature
text
Unequal Sections
Ut Pictura Poesis
Vera Icona
Vermeer's Painting
vermeers
Vermeer’s Painting
Vertical Operation
Vice Versa
visual culture studies
Wuthering Heights
Young Man

Product details

  • ISBN 9781138599017
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Pictorial Third: An Essay into Intermedial Criticism examines the extent to which poetry intertwines with painting and the visual at large, and studies the singular relationship established between language and image, observesing the modalities and workings of what is termed ‘intermedial transposition‘. By following a critical method of the close analysis of texts, the book examines to what extent the "pictorial" tool may be of help to analyze literary texts and thus enlarge and enrich literary criticism.

Examining the technical notions typical of the medium and its history, including perspective, framing, colour, anamorphosis, trompe-l’œil, Veronica veil, still life, portrait, figure, illusion, apparatus, genres and styles, this volume presents a pragmatics of image-in-text and of the visual-in-text as an operative tool. This "pictorial" reading necessarily includes synesthesia and the senses; it also functions as a reading event , or what happens to one when one unawares encounters a picture (be it present in the book or the object of an ekprhasis). Thus the body is eventually given back a role to play. The sensitive approach has its own resonances and the eye or the gaze sometimes sees double in such intermedially oriented texts. This volume proposes to identify the pictorial third as the phenomenon which can be apprehended in terms of effect or affect not only as a concept.

Dr. Liliane Louvel is emerita professor at the University of Poitiers, France, and the President of the European Society for the Study of English. She received the title of Chevalier dans l’ordre de la Légion d’Honneur, the highest National Order or award in France, in 2011. She has published numerous articles and books on the interrelationship between word and image, including : L'œil du texte (Toulouse PUM 1998), The Picture of Dorian Gray, Le double miroir de l'art (Ellipses, 2000), Texte/image, images à lire et textes à voir (Rennes PUR 2002), Le tiers pictural PUR 2010. Poetics of the Iconotext, Translation by Laurence Petit, edited by Karen Jacobs, Ashgate July 2011.

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